They also highlight the many common traits of all three groups. They draw on historical records, contemporary interviews, and numerous photographs to show what makes each group of mounted herders distinctive in terms of working methods, gear, dress, customs, and speech. In this book, three long-time students of the American West describe the history, working practices, and folk culture of vaqueros, cowboys, and buckaroos. The buckaroos of the Great Basin west of the Rockies trace their origin to the vaqueros, with influence along the way from the cowboys, though they, too, have ways and customs distinctly their own. From them, Texas cowboys learned the trade, evolving their own unique culture that spread across the Southwest and Great Plains. The first mounted herders were the Mexican vaqueros, expert horsemen who developed the skills to work cattle in the brush country and deserts of the Southwestern borderlands. Herding cattle from horseback has been a tradition in northern Mexico and the American West since the Spanish colonial era. Featuring 300 photographs, this volume is an absolute must for all equestrians, as well as for collectors and admirers of this unique and totally American craft.Р”Р„uthor : Lawrence Clayton,Jim Hoy,Jerald Underwood THE ART OF THE WESTERN SADDLE also provides a look at the many exquisite and unpublished examples of the finest in silver and gold overlay and filigree saddle silver created by the West's preeminent metalsmiths. Many saddles of the stars are featured from the golden age of the Hollywood Western these include outfits belonging to the Lone Ranger, Roy Rogers, Gene Autry, Barbara Stanwyck, Ken Maynard, and Buck Jones.

Bohlin, McCabes, and Keyston Bros., along with contemporary makers such as Chas Weldon, Dale Harwood, Chuck Stormes, Don Butler, Chuck Treon, Jeremiah Watt, and many others. Illustrated with historic and contemporary examples of saddle style and decoration, THE ART OF THE WESTERN SADDLE highlights the work of makers such as Visalia Stock Saddle Company, Meana, Miles City Saddlery, Porter, Hamley, Edward H. The saddle-the epitome of form following function-evolved to meet the utilitarian needs of the rider and his tasks, be they work or pleasure. The ability for early man to domesticate and ride the horse created the rapid advancement of man's capability to travel and explore. Filled with detailed photographs and illustrations, this book celebrates the saddle as a decorative hallmark of subtle beauty while fulfilling the utility of its principal purpose. When we photographed the New Era Hall in January 2020, the former social hall was home to the Academy of Ballet.Winner of the American Horse Publication's Best Equine Book Award of the Year (2004) Finalist for the 2005 Ben Franklin Award Spanning time and technique, THE ART OF THE WESTERN SADDLE is a celebration and visual feast of the graceful artistry of the western saddler and his craft. Source: Adapted from San Francisco Landmark Designation Application for New Era Hall, 19 April 2017 None of the VisaliaРІР‚в„ўs other manufacturing facilities are extant. Visalia Stock Saddle Company made notable contributions to the development of the western saddle. Of the seventy-two social halls which existed in San Francisco in 1907, New Era Hall is one of only nine to survive.Р”Р‡rom 1911 until 1953, the pioneer Mexican-American business, Visalia Stock Saddle Company, manufactured high-end saddles here. The building provided crucial meeting space for organizations displaced by the disaster, including Odd Fellows, Knights of Pythias, and Woodmen of the World. NordinРІР‚в„ўs design used the innovative Howe Truss to eliminate structural columns and create large, open assembly spaces while conserving building materials. New Era Hall, designed by architect August Nordin as a commercial building and social hall, was completed seven months after the 1906 Earthquake and Fire.

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